PREPRODUCTION
Styles are infinite, going from realistic to cartoon or abstract.
STYLES
In the past, I worked on numerous animated series with my husband, David Frasquet, primarily handling all aspects of pre-production. Currently, he focuses more on storyboarding, but we still occasionally collaborate on projects.
I usually draw the poses, turnarounds, and everything else the character needs in Photoshop.
From scribble to color. They are done with Photoshop by layers.